Why Media Rights Alone Won't Win the Streaming Sports Wars
Sports broadcasters can't compete on rights alone. BeIN's investment in local F1 documentaries reveals how regional media stays competitive against Netflix and tech platforms.
Sports broadcasting is going through a quiet revolution. For years, winning the rights to show a game or a race was enough. Now it's not. The media companies that will win the next decade are the ones that can make global sports feel personal to local audiences.
beIN MEDIA GROUP just made its first serious move in that direction. The broadcaster launched My Road to Red Bull, a three-part documentary series following Isack Hadjar's journey from karting to a seat at Oracle Red Bull Racing alongside four-time world champion Max Verstappen. It's the first original production beIN has made under its content partnership with Formula 1, and it premieres April 30, 2026 on TOD and beIN SPORTS channels across MENA and Asia Pacific.
The timing is not accidental.
Rights Alone Are No Longer Enough
beIN holds some of the most valuable sports broadcast rights in the world. Its 10-year, US$500 million exclusive deal with Formula 1 covers 25 territories across MENA and Turkey through 2033. In February 2026, it extended F1 rights across 10 Asian territories including Singapore, Malaysia, Indonesia, Thailand, and Hong Kong through 2030, reaching an estimated 447 million fans.
F1 audiences on beIN SPORTS Asia have grown double digits year-on-year for three straight years. By pure rights metrics, the deal looks solid.
But the media landscape is shifting. Amazon, Apple, and Netflix are moving into live sports rights, putting direct competitive pressure on regional broadcasters. A broadcaster that only holds rights can be outbid. A broadcaster that creates original content that resonates with local culture cannot be replicated.
My Road to Red Bull is beIN's answer to that problem.
Why Hadjar Is the Right Story for This Moment
Isack Hadjar is 21 years old and the first driver of Arab heritage to race in Formula 1. For MENA audiences, he is not just a talented rookie. He is cultural representation at the highest level of global motorsport.
The documentary does not focus on lap times or technical racing. It follows the human journey: the formation lap crash in Melbourne, the recovery, the grinding consistency across Monaco, Zandvoort, and Monza, and ultimately the promotion to Red Bull's senior team.
"This documentary shows the full picture, not just the highs, but the tougher moments too," Hadjar said. "My journey to Formula 1 hasn't been straightforward, and it was important to share that honestly and give fans a real behind-the-scenes perspective."
Richard Verow, Chief Sports Officer at beIN MEDIA GROUP, was direct about the strategic intent. "His story goes far beyond racing," he said. "We're proud to bring this journey to a global audience, offering a unique look at both his professional and personal path so far."
The Formula That Proved Itself First on Netflix
The documentary playbook beIN is following has already been validated. Netflix's Drive to Survive brought over 360,000 previously non-F1 viewers to the sport in 2022 alone, according to Nielsen. It dropped the average F1 viewer age from 44 to 32 and grew the female audience from 32% to 40% over four years.

The same format has since been applied to golf (Full Swing), tennis (Break Point), cycling (Tour de France: Unchained), and rugby (Six Nations: Full Contact). The pattern is consistent: behind-the-scenes human storytelling converts casual observers into committed fans faster than race coverage alone ever could.
beIN's angle is to take that same formula and localize it. The production hub is in Doha. The first subject is the first Arab driver in F1 history. The content is designed specifically for audiences in language markets where motorsport has historically been underpenetrated.
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What This Signals for Regional Media
My Road to Red Bull is not just a marketing exercise. It is the first activation of a content clause built directly into beIN's F1 broadcast contract, making original documentary production a formal business commitment rather than an optional add-on.
For APAC communications and media executives, the lesson is clear. Cultural relevance and local storytelling drive audience connection in ways that licensed global content simply cannot match. Exclusive rights get you into the game. Local stories are how you build a lasting audience.
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